Perhaps it is because of this enormous capacity for transformation generating surprising object and non-object modalities that the visual arts of our time - a term that no longer seems to be sufficient to designate them - have become an immense and almost limitless field of expression, where it is It is difficult to distinguish the legitimacy of improvisations without professional support, of pseudo-primitivism and of certain simulations or armed replicas based on what is most sold or works as a suitable means for investment and money laundering. In such a panorama also grows one of the most damaging specimens in cultural and ethical terms: that which we can call "replicant", like the famous android reiterated by science fiction. We find it in the last three decades.